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70 years of Evolution and Design: Contour Fashion at ˽·¿¾ãÀÖ²¿

The School of Corsetry within the Leicester College of Art (predecessor to ˽·¿¾ãÀÖ²¿) was founded in 1947 by the Corsetry Guild of Great Britain as part of a post WWII effort to inspire an upswing in local designers.

Leicester has long been regarded as a city of industrial importance, with factories for corsetry, textiles, hosiery and boot and shoe manufacturing booming from the 19th century.

Garment design on the other hand was traditionally dominated by fashion houses in France and in subsequent years the United States. As such, training opportunities for employment within the UK corsetry industry prior to the 1940s were largely limited to factories where the pieces were made...

...so much so that it took the Corsetry Guild two years to find a suitable candidate to teach corset design, further demonstrating how small an occupation it actually was within the country!

Leicester College of Art’s one year programme, entitled Foundation Wear, was the first corsetry course of its kind in the United Kingdom and combined the excellent reputation of British workmanship with subjects focusing on innovation and design.

70 years of Evolution and Design: Contour Fashion at ˽·¿¾ãÀÖ²¿

Now known a BA (Hons) Degree Course, Contour Fashion has become widely praised by industry experts and is considered to be one of the best in the world.

This exhibition will revisit some of the programmes most memorable moments as well as showcase pieces of contemporary student work.

"Pleasant to think that a whole school of students are figuring out how to help us keep out figures in!" - Illustrated Leicester Chronicle, 25th October, 1947.

1940s

First ‘School of Corsetry’ prospectus, Leicester College of Art, 1947. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

'What good news it is that corsets are now in better supply!' begins an article from The Illustrated Leicester Chronicle reporting on the launch of the new corsetry course. This statement hints at how badly the corset trade, like many others, was hit during WWII as materials were needed for other purposes. As the country's position improved, so did the industry. Fred Burley, President of the Corsetry Guild, was responsible for creating this revolutionary course which covered subjects such as anatomy, pattern cutting, making-up, methods of machining, design, sketching and embroidery. 

First group of students at work. The original cohort consisted of four women and one man who were all awarded diplomas. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Student drafting a long-line bra, a method still used today. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

1950s

Lingerie mogul, and ˽·¿¾ãÀÖ²¿'s most successful alumni to date, Janet Reger enrolled on the course in 1953. She was quickly identified as one of the most promising designers in her year and upon graduating was a freelance designer for major industry players including Marks and Spencer and Slix swimwear before developing her own brand in 1966. 

Janet Reger Advertisement, 1980s ©Janet Reger Estate

Her bold, seductive style was a stark contrast to the functional designs of the time - yet set against a backdrop of social change and female emancipation the brand flourished with international acclaim and a celebrity following. 

1960s

The popular course was officially renamed Contour Fashion and converted into a three year BA (Hons). New subjects introduced include swimwear and leisurewear design as a response to evolving fashion trends and fabric technology.

Student making a bra on a Singer sewing machine, 1960s. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Student Janet Green winning a placement with the Queens corsetiere in South Molton Street London, early 1960s. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

1970s

Du Pont and Lycra sponsor several collections in foundation and leisure wear, some of which were showcased across the UK for their revolutionary designs. 

Student swimwear design, 1974. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Fully fashioned loungewear piece with Lycra, 1972. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Drawings for a Du Pont sponsored collection of young ideas in foundation and leisure wear, 1975. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Contour Studio, Leicester Polytechnic, now ˽·¿¾ãÀÖ²¿. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

1980s

Social attitudes towards active lifestyles and exercise begin to strongly influence the industry and sportswear was introduced as a new subject. Leicester Polytechnic (now ˽·¿¾ãÀÖ²¿) is considered a leader in leisure fashion design.

Futuristic ski-suit with matching leotard and a new look brief and bra, both by student Karen Parker. Part of the *'Lycra Moves in 1980 with Contour Fashion’* project. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

1990s

Student intake increased to 25 students per year with the course offering modules in bodywear, swimwear, dancewear, lingerie, structured underwear, sportswear and leisurewear. The degree continued to be unrivalled as ˽·¿¾ãÀÖ²¿ remained the only university in the UK to offer this type of course. 

Students working on their final collectiond, early 1990s. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive..jpg
Model wearing student work from 1996. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

2000s

2010 - Contour Fashion holds its first London catwalk show

Rachel Gagnon, 2010. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

2012 - ˽·¿¾ãÀÖ²¿ is chosen as the first stop of the Queen's UK tour to celebrate her Diamond Jubilee. Contour students host a catwalk show for the Queen and the Duchess of Cambridge during the visit. The course also wins the prestigious Triumph Inspiration Award and students are able to choose between an aesthetic or technical design route for the first time - opening up potential research for specialist areas such as plus sizes, menswear, mastectomy, maternity, etc.

Bethany Kendall, 2012. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

2014 - Beyoncé wears alumni Nichole de Carle's bodysuit to the opening of the Grammy Awards.

Beyonce wearing Nichole de Carle's bodysuit at the Grammy Awards in 2012. ©Getty images.

2017 - A Contour Fashion and Communication BA (Hons) course is introduced to meet the changing requirements in industry. Gillian Proctor (Associate Professor and Subject Leader) is one of 10 individual listed in Lingerie Insight magazines 'Industry Influencers'.

Associate Professor of Enterprise Gillian Proctor receiving awarded as one of 10 ‘Industry Influencers’ by the respected Lingerie Insight magazine

Industry Support

The Contour Fashion course was instigated by the intimate apparel industry in 1947 and the relationship with influential partners continues to guide educational activity today.

Without the ongoing sponsorship from key companies across the globe, students could not retain their unwavering energy and enthusiasm to create. Thank you to the following partners for their support and generosity: Stretchline UK Ltd, Boux Avenue, Triumph, Underlines Magazine, Invista, Debenhams, LF Intimates, Next, UKFT, Clover, Ace Style, Curvy Kate, Euovet, Lingerie Insight, Tommy Hilfiger, Wacoal Europe, Crystal Martin HK, Figleaves, Coco de Mer, Shadowline, F&F, Apm, Bordell, Contour Specialist Fabrics, Sue and Malcolm Vagg, Concepts Paris and Tutti Rouge.

"It is such a privilege to meet the talented young students - they are the reason that we have such a strong lingerie industry in the UK, an industry which will only continue to prosper with ˽·¿¾ãÀÖ²¿’s continued support and passion." - Lucy Litwack, CEO, Coco de Mer

Mollie Falkingham, Moda 2017. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.
Mollie Falkingham, Moda 2017. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

Alumni

˽·¿¾ãÀÖ²¿ graduates can be found working for clover, Calvin Klein, Gossard, H&M, Tommy Hilfiger, Aubade, Curvy Kate and Stretchline, among others. Alumni have gone on to create their own labels, causing a sensation when their work has been worn by superstars including Beyoncé, Jennifer Lopez, Rita Ora and Paloma Faith. On display are examples of student work, excelling in design and technology.

Selina Bond, 2014. Signature style of carbon moulds inspired by Formula One. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

"It is our opinion that the ˽·¿¾ãÀÖ²¿ Contour Fashion course is the best in the world for intimate apparel technical design. Stretchline are proud to be sponsors - here’s to another successful 70 years." - Norman Collier, CEO Stretchline and President of the Intimate Apparel Institute at ˽·¿¾ãÀÖ²¿

"˽·¿¾ãÀÖ²¿ Contour - shaping tomorrow today. Celebrating 70 years of remarkable achievement on a global stage." - Pamela Scott, Managing Editor, Underlines Magazine and the Swimwear Yearbook.

Betsan Evans, 2016. ©Ë½·¿¾ãÀÖ²¿ Special Collections and Archive.

Looking Forward

"We are the architects of fashion, we evolve, redefine, restructure and refine the creative process.

Our role historically is to formulate the foundations of outerwear fashion, providing the underpinnings to make the desired silhouettes achievable. Today, the strength of Contour Fashion is see to be its ability to encourage cutting edge design and to drive technological advancement, creating pioneering developments and adapting to industry demands.

As the course enters its eighth decade, it continuously looks towards the future ensuring students stand out as leaders in their field. Our alumni have never failed to push the envelope and experiment, contributing to the evolution and accomplishment of this celebrated programme." - Gillian Proctor (Associate Professor and Subject Leader)

Images from the 2017 catwalk show at Freemasons’ Hall in London. ©Ë½·¿¾ãÀÖ²¿.
Lucy Watkins, 2017, catwalk show at Freemasons’ Hall in London. ©Ë½·¿¾ãÀÖ²¿.
Jade Roe, 2017, catwalk show at Freemasons’ Hall in London. ©Ë½·¿¾ãÀÖ²¿.

Acknowledgements

Exhibition Curated by Elizabeth Wheelband (Museum Curator) and Steven Peachey (Assistant Museum Curator).

Special thank you to the following for their support:

  • Gillian Proctor (Associate Professor and Subject Leader) and the entire Contour Fashion Team
  • ˽·¿¾ãÀÖ²¿ Special Collections and Archives
  • Robert Harris (Graphic Interpretation)
  • Jim Birchwood (Museum Fitting)

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